| | TITLE | L’Internationale | IMPRINT | JRP|Ringier | PRICE US | $29.95 CDN $29.95 | ISBN | 9783037643112 TRADE | FORMAT | Pbk, 6 x 8.25 in., 364 pgs, 16 color, 82 b&w. | CATALOG | SPRING 2013 p. 158 | DISTRIBUTOR | D.A.P. | PUB DATE | 3/31/2013 | STATUS | Active | STOCK | In stock |
| | NEW & FORTHCOMING Edited by Pascal Gielen. Text by Kenny Cupers, Bart De Baere, Ann Demeester, Jimmie Durham, Alex Farquharson, Mark Fisher, Pascal Gielen, Marc Jacobs, Sonja Lavaert, Thijs Lijster, Isabell Lorey, Markus Miessen, Chantal Mouffe, Gerald Raunig, Patricia Reed, Nicolaus Schafhausen, Blake Stimson. VALIZ/ANTENNAE SERIES By Fred Dewey. ERRANT BODIES/DOORMATS By Valentina Montero. ERRANT BODIES/DOORMATS Edited by Marta Kuzma, Pablo Lafuente, Peter Osborne. Introduction by Angela Vettese. Text by Jacques Ranciere, Leo Bersani, Vandana Shiva, Jan Egeland, Fawaz A. Gerges, Eyal Weizman, Judith Butler, Franco Berardi, Saskia Sassen, T.J. Clark. OFFICE FOR CONTEMPORARY ART NORWAY OCA | GIFTS FOR GRADS 2013: 50 Perfect Choices for Recent Graduates!  | |
|   |   | L’InternationalePost-War Avant-Gardes Between 1957 and 1986Edited by Christian Höller. Text by Inke Arns, Zdenka Badovinac, Bart de Baere, Charles Esche, Bartomeu Mari, Georg Schöllhammer, et al.L’Internationale is a trans-institutional network of five major European museums and artists’ archives: Moderna Galerija Ljublana, Július Koller Society Bratislava/Vienna, MACBA Barcelona, Van Abbemusuem Eindhoven and MHKA Antwerp. With these five museums and their respective collections as a starting point, L’Internationale: Post-War Avant-Gardes Between 1957 and 1986 presents a range of case studies and historiographical and theoretical essays that reconsider a period in art history that was dominated by the art of Western Europe and North America. The publication instead portrays a more dispersed, multi-polar and interconnected neo-avant-garde, one that existed long before it became common to think in terms of globalization or trans-nationalism. In the process, this book questions how local narratives can be brought together in a new “rhizomatic” way, one that works to reshape our ideas of translocalism and internationalism. | |
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