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| | BOOK FORMAT
Clth, 8.5 x 12.5 in. / 160 pgs / 80 duotone. PUBLISHING STATUS
Pub Date 9/30/2011
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Catalog: FALL 2011 p. 99 PRODUCT DETAILS
ISBN 9782915173796 TRADE
List Price: $60.00 CDN $79.00 AVAILABILITY
Out of stock | TERRITORY
NA LA ASIA AU/NZ AFR ME | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Jane Evelyn Atwood: Rue des Lombards
In late 1975, American photographer Jane Evelyn Atwood (born 1947) was 28 years old and had recently moved to Paris. She quickly developed a fascination with the city's prostitutes, and soon met a women who introduced her to a prostitute she knew. Developing the theme from portraits of this single sitter, Atwood discovered an intriguing subculture around one building on the Rue des Lombards, full of extraordinary characters, costumes and views on gender and sexuality. Atwood's now hallmark immersive style of photojournalism led her deep into this world: “I was always turned on by a person or a group of people and then wanted to know them,” she recalled in a recent interview, “and photographing them became a way of knowing them.” This volume presents a formative body of work by one of the world's leading photojournalists.
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FORMAT: Clth, 8.5 x 12.5 in. / 160 pgs / 80 duotone.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $79
ISBN: 9782915173796
PUBLISHER: Editions Xavier Barral
AVAILABLE: 9/30/2011
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2011 Page 99 | PRESS INQUIRIES
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| Jane Evelyn Atwood: Rue des Lombards Published by Editions Xavier Barral. In late 1975, American photographer Jane Evelyn Atwood (born 1947) was 28 years old and had recently moved to Paris. She quickly developed a fascination with the city's prostitutes, and soon met a women who introduced her to a prostitute she knew. Developing the theme from portraits of this single sitter, Atwood discovered an intriguing subculture around one building on the Rue des Lombards, full of extraordinary characters, costumes and views on gender and sexuality. Atwood's now hallmark immersive style of photojournalism led her deep into this world: “I was always turned on by a person or a group of people and then wanted to know them,” she recalled in a recent interview, “and photographing them became a way of knowing them.” This volume presents a formative body of work by one of the world's leading photojournalists.
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