Well known for his radical "anarchitectural" interventions throughout the 1970s, Gordon Matta-Clark (1943-78) was always deeply, though less publicly, committed to drawing. His works on paper-which span three-dimensional reliefs, calligraphy and notebook entries-capture the interdisciplinary spirit that defined the art world in the 1970s, testifying to his interest in the crossovers between visual and performance arts. Gordon Matta-Clark: The Beginning of Trees and the End, published on the occasion of the eponymous 2015 show at David Zwirner, New York, documents his extraordinary accomplishment as a draftsman. Organized by theme, the catalogue presents selections from Matta-Clark’s Cut Drawings, Energy Rooms, Energy Trees and his own "calligraphy," many of which have never been published. Perhaps the best known of the group, the Cut Drawings explore smaller-format versions of his architectural interventions; slicing meticulously through several layers of paper, gesso or cardboard, Matta-Clark created flat sculptural works that emphasized the voids created by extracting matter. Drawings with Matta-Clark’s own "calligraphy" emphasize the medium of drawing as an independent form. Some of the most elaborate and colorful compositions include trees, several of which refer to Matta-Clark’s Tree Dance performance at Vassar College in 1971. Near-abstract tree shapes also incorporate his calligraphic marks, with branches constructed from imaginary letters. Matta-Clark’s Notebooks, which combine elements of Surrealist automatic drawing with an interest in choreography, appealed to performance artists, including Laurie Anderson and Trisha Brown. This unparalleled presentation of Matta-Clark’s drawings is accompanied by new scholarship by Briony Fer, as well as an interview with artist Sarah Sze by Jessamyn Fiore, co-director of the Estate of Gordon Matta-Clark.
Born in New York in 1943, Gordon Matta-Clark is widely considered one of the most influential artists working in the 1970s. He was a key contributor to the activity and growth of the New York art world in SoHo from the late 1960s until his untimely death in 1978. In 2007, Gordon Matta-Clark: You Are the Measure was the first full-scale retrospective organized by the Whitney Museum of American Art, New York, which subsequently traveled to the Museum of Contemporary Art, Los Angeles and the Museum of Contemporary Art Chicago. Matta-Clark’s work is included in prominent public collections, including The Metropolitan Museum of Art, New York; Museum of Contemporary Art Chicago; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; Smithsonian American Art Museum, Washington, D. C.; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; and the Whitney Museum of American Art, New York.
Artist Sarah Sze lives and works in New York. She holds a BA from Yale University, 1991 and an MFA from the School of Visual Arts, New York, 1997. In 2013, Sze represented the United States at the 55th Venice Biennale. She has had major solo exhibitions at the Fabric Workshop and Museum, Philadelphia; MUDAM, Luxembourg; Asia Society, New York; Malmo Konsthall, Sweden; Whitney Museum of American Art, New York; Museum of Contemporary Art Chicago; and the Institute of Contemporary Arts, London. Sze is a 2003 John and Catherine T. MacArthur Fellow.?
Briony Fer is an art historian who has written extensively on modern and contemporary art. Her research interests have consistently moved between the history of the avant-gardes and the work of contemporary artists, including Gabriel Orozco, Roni Horn, David Batchelor and Tacita Dean. Her books include On Abstract Art (1997), The Infinite Line (2004), and Eva Hesse: Studiowork (2009). She has also organized exhibitions of Eva Hesse’s studiowork as well as, most recently, an exhibition of the work of Gabriel Orozco, accompanied by the monograph Gabriel Orozco: thinking in circles (2013). In spring 2014, she was Kirk Varnedoe Professor at the Institute of Fine Arts in New York. She is Professor of History of Art at University College London and a Fellow of the British Academy.?
Jessamyn Fiore is a New York–based curator and writer as well as the co-director of the Estate of Gordon Matta-Clark. She is the curator of the Jean-Paul Najar Foundation opening in Dubai in November 2015. She received an MA in contemporary art theory, practice and philosophy from The National College of Art and Design, Dublin in 2009. Exhibitions curated include 112 Greene Street: The Early Years (1970–1974), David Zwirner, New York (2011), which led to her editing the exhibition catalogue, Gordon Matta-Clark: Above and Below, David Zwirner, New York (2013); and II Machines: Clive Murphy & Trevor Tweeton, Knockdown Center, Queens (2015). Her original one-act play, Blast from The Past, based on the writings of Robert Smithson and Matta-Clark, was published in 2014.