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COLLECTIVES, COLLABORATIONS & ARTIST DUOS

PUBLISHER
Soberscove Press

BOOK FORMAT
Paperback, 5.25 x 7 in. / 288 pgs / 230 color.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2021 p. 126   

PRODUCT DETAILS
ISBN 9781940190280 TRADE
List Price: $28.00 CDN $38.00 GBP £22.00

AVAILABILITY
In stock

TERRITORY
WORLD

THE SPRING 2024 ARTBOOK | D.A.P. CATALOG

Artbook | D.A.P. Catalog Cover Link
Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
  

SOBERSCOVE PRESS

Wolf Tones

By Maximilian Goldfarb, Nancy Shaver, Sterrett Smith. Text by Stan Allen, Charles Curtis, Pradeep Dalal, Stacy Wakefield Forte, Anna Friz, Julia Klein, Ann Lauterbach, Catherine Lord, Matana Roberts, David Levi Strauss.

Wolf Tones

A multidisciplinary reader on an acoustic phenomenon conventionally deemed undesirable

When a bowed stringed instrument is played, the vibrations of certain notes can resonate at the same frequency as the vibrations of the instrument itself. The dissonant effect that results is referred to as a “wolf tone,” for its howl, and is almost universally characterized as an unpleasant deviance. For Maximilian Goldfarb, Nancy Shaver and Sterrett Smith, however, the wolf tone has come to serve as a productive analogy for describing forces at work in a visual field and a model for their ongoing collaboration, Wolf Tones. Here, the artists present an orchestrated cacophony of images from their individual and collaborative practices alongside texts by contributors from the realms of music and sound, art, poetry, art criticism and architecture. Referencing landscape, temporality, sonic surpluses, improvisation, Éliane Radigue’s Naldjorlak and more, this book addresses the artists' collaboration as well as the acoustic phenomenon itself, reimagining the wolf tone as something to be celebrated.


Featured image is reproduced from ‘Wolf Tones'.

PRAISE AND REVIEWS

Brooklyn Rail

Ann C. Collins

More than an archive, the book amplifies the concept of the wolf tone through photographs chosen by each artist and sequenced in spirited combinations that call and answer one another in sometimes harmonious, sometimes dissonant amplifications. Central to each artist’s process is the act of looking, an experience that extends to the reader, who is made privy to the impressions and thoughts that guide their work.

Wolf Tones

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