POETRY

PUBLISHER
Wakefield Press

BOOK FORMAT
Paperback, 6 x 9 in. / 222 pgs / 2 bw.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2015 p. 94   

PRODUCT DETAILS
ISBN 9781939663085 TRADE
List Price: $17.95 CDN $25.50

AVAILABILITY
In stock

BROWSE THE 2018 FALL CATALOG

From 'Led Zeppelin by Led Zeppelin' to 'The Swimming Pool in Photography' to 'Protest: The Aesthetics of Resistance,' with new monographs on Yayoi Kusama, Hilma af Klint, James Turrell and Jack Whitten, and announcing D.A.P. distribution for Glenstone Museum and SPBH Editions.

  

WAKEFIELD PRESS

The Massacre of the Innocents

By Giambattista Marino. Introduction and translation by Erik Butler.

A finely crafted epic and literary monstrosity from the seventeenth-century "poet of the marvelous": the harrowing account, in four bloody cantos, of King Herod and his campaign to murder the male infants of his kingdom to prevent the loss of his throne to the prophesied King of the Jews. The book starts in the pits of Hell, where the Devil stokes the flames of Herod's paranoid bloodlust in his troubled sleep, and concludes in the heights of Heaven where the "unarmed champions" march on to eternal glory. In between is an account of physical and political brutality that unfortunately holds too clear a mirror to world events today. The Massacre of the Innocents describes unbelievable cruelty while championing the nobility of suffering, all brilliantly translated and presented in ottava rima.
Italian poet and adventurer Giambattista Marino (1569–1625) was deemed "the king of his age," and his very name came to define the style of an epoch: marinismo, a shorthand summation of the bizarre inventiveness and ornate excesses of Baroque poetry. In and out of jail, and escaping an assassination attempt by a rival, Marino spent a good part of his life in Northern Italy and France before returning to his birthplace of Naples. His most famous work, L'Adone (Adonis), stands as one of the longest Italian epics ever written, and for two centuries was deemed a monstrous epitome of Baroque bad taste.
The Massacre of the Innocents

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