| | TITLE | Josef Hoffmann: Interiors 1902-1913 | IMPRINT | Neue Galerie New York | PRICE US | $45.00 CDN $45.00 | ISBN | 9781931794206 TRADE | FORMAT | Hbk, 9 x 11.25 in., 88 pgs, 36 color, 28 b&w. | CATALOG | SPRING 2009 p. 164 | DISTRIBUTOR | D.A.P. | PUB DATE | 2/1/2009 | STATUS | Active | STOCK | In stock |
| | NEW & FORTHCOMING Edited and with text by Cornel Windlin. JRP|RINGIER Foreword by Mark Adamson. Preface by Abbott Miller. Text by Alexandra Lange, Phil Patton, Peter York. METROPOLIS BOOKS/FORMICA CORPORATION Edited by John Golberger. DAMIANI Text by Beate Binder, Hartmut Böhme, Thea Brejzek, Fulvio Ferrari, Peter and Charlotte Fiell, Joseph Grima, Bart Lootsma, Sidney Perkowitz, Peter Weibel, et al. VITRA DESIGN MUSEUM | GIFTS FOR GRADS 2013: 50 Perfect Choices for Recent Graduates!  | |
|   |   | Josef Hoffmann: Interiors 1902-1913The Making of an ExhibitionText by Christian Witt-Dörring.In November of 2006, the Neue Galerie New York opened an extraordinary exhibition of the interiors of the Austrian designer and cofounder of the Vienna Secession, Josef Hoffman. With incredible care and attention, Neue Galerie curator Christian Witt-Dörring reconstructed four entire rooms by Hoffmann: a girl's bedroom from the Max Biach apartment (Vienna, 1902), a bedroom from the Hans Salzer apartment (Vienna, 1902), the dining room from the apartment of Jerome Stonborough and Margaret Stonborough-Wittgenstein (Berlin, 1905); and the dining room from the apartment of the Swiss painter Ferdinand Hodler (Geneva, 1913). Naturally, critics lavished their praises on this exemplary labor of love. The Making of an Exhibition serves as a companion volume to the catalogue for that exhibit (Josef Hoffman: Interiors 1902-1913), documenting the painstaking process of assembling materials for these interiors, and their final installation. In the process of relating this tale, Witt-Dörring shows us how a curator tackles the challenge of bringing such work to life. The result is a publication that displays the work of Josef Hoffmann as it was meant to be seen--in color, and as a series of fully realized ensembles. | |
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