ARTIST MONOGRAPHS

PUBLISHER
Art / Books

BOOK FORMAT
Hardcover, 8.75 x 11 in. / 256 pgs / 201 color / 5 bw.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2016 p. 155   

PRODUCT DETAILS
ISBN 9781908970268 FLAT40
List Price: $50.00 CDN $67.50

AVAILABILITY
In stock

BROWSE THE 2018 FALL CATALOG

From 'Led Zeppelin by Led Zeppelin' to 'The Swimming Pool in Photography' to 'Protest: The Aesthetics of Resistance,' with new monographs on Yayoi Kusama, Hilma af Klint, James Turrell and Jack Whitten, and announcing D.A.P. distribution for Glenstone Museum and SPBH Editions.

  

ART / BOOKS

Clare Woods: Strange Meetings

Foreword by Andrew Marr. Text by Michael Bracewell, Rebecca Daniels, Jennifer Higgie, Simon Martin.

Strange Meetings is the first monograph on UK abstractionist Clare Woods (born 1972), internationally regarded as one of the most significant painters working today. Her paintings and works on paper are found in important public and private collections around the world, and she has produced many high-profile public commissions in the UK and Europe. Her highly coloristic paintings hover somewhere between abstraction and representation, expressing both a poetic romanticism and an unnerving psychic charge. Published to coincide with the show The Sleepers at Pallant House Gallery, Chichester, and ahead of a series of important exhibitions and commissions, this beautifully designed and illustrated volume presents all the major works from her career to date, from small-scale intimate paintings in oil and enamel to ambitious high-profile public commissions and architectural projects. The dynamic layout of the book, with a varied mix of close-up details and installation shots, gives the reader a strong sense of the diverse scale and immersive, push-pull nature of the work. Five prominent writers consider various aspects of Woods’ practice, including her painting technique and use of photographic source material; her engagement with the traditions of landscape and figurative art; her relationship with artistic forebears such as Francis Bacon, Barbara Hepworth, Graham Sutherland and Eduardo Paolozzi; and the connections between her life and ever-evolving work. More than a celebration of Woods’ achievements as an artist, this book is also testament to her importance to the future of painting. In his foreword, Andrew Marr asks what should a painting look like in 2016, when "so much has already been done by so many extraordinary hands, fingers and brains." "In these pages," he concludes "you will find some answers."
Clare Woods: Strange Meetings

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