Introduction by Damien Hirst. Text by Annie Godfrey Larmon.
American artist Dan Colen (1979) emerged onto the New York art scene in the early 2000s alongside artists such as Dash Snow and Ryan McGinley. Drawing on graffiti and vernacular culture as artistic influences in his paintings and installations, and living legendarily hard, Colen was described by The Guardian as the "bad boy of post-pop New York." Brilliantly witty, shocking, poignant and nihilistic, Colen's art presents a portrait of contemporary America and is, in part, an investigation into the act of producing and looking at art.
Dan Colen: Sweet Liberty, published to accompany Colen's solo exhibition at Newport Street Gallery in London, spans 15 years of the artist's career, including new works, and includes large-scale installation images of the exhibition. The book features a foreword by Damien Hirst and an essay by curator Annie Godfrey Larmon.
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FORMAT: Hbk, 9 x 12.25 in. / 176 pgs / 110 color. LIST PRICE: U.S. $70.00 LIST PRICE: CANADA $92.5 GBP £59.95 ISBN: 9781906967871 PUBLISHER: Other Criteria Books AVAILABLE: 7/24/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Dan Colen: Sweet Liberty Newport Street Gallery Installation
Published by Other Criteria Books. Introduction by Damien Hirst. Text by Annie Godfrey Larmon.
American artist Dan Colen (1979) emerged onto the New York art scene in the early 2000s alongside artists such as Dash Snow and Ryan McGinley. Drawing on graffiti and vernacular culture as artistic influences in his paintings and installations, and living legendarily hard, Colen was described by The Guardian as the "bad boy of post-pop New York." Brilliantly witty, shocking, poignant and nihilistic, Colen's art presents a portrait of contemporary America and is, in part, an investigation into the act of producing and looking at art.
Dan Colen: Sweet Liberty, published to accompany Colen's solo exhibition at Newport Street Gallery in London, spans 15 years of the artist's career, including new works, and includes large-scale installation images of the exhibition. The book features a foreword by Damien Hirst and an essay by curator Annie Godfrey Larmon.
