Known for paintings that oscillate nimbly between abstraction and figuration, Magnus Plessen (born 1967) focuses here on rotation as a means of reordering the relation of the viewer to the painting. These latest works simultaneously feature figurative elements that are ostensibly recognizable--hands, heads, feet--combined with abstract passages that serve to restructure order and dimensionality within the painting. This effect is reinforced by a deliberate illogicality; representational aspects of body parts are fragmented and disembodied, elusive and transitory, unbound by any particular viewpoint or frame of reference. Riding the Image surveys this development in Plessen’s art.
FORMAT: Hbk, 10 x 12.25 in. / 112 pgs / 73 color / 2 b&w. LIST PRICE: U.S. $48.00 LIST PRICE: CANADA $60 ISBN: 9781906072667 PUBLISHER: White Cube AVAILABLE: 8/31/2013 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ ME
Published by White Cube. Edited by Honey Luard. Text by Katy Siegel.
Known for paintings that oscillate nimbly between abstraction and figuration, Magnus Plessen (born 1967) focuses here on rotation as a means of reordering the relation of the viewer to the painting. These latest works simultaneously feature figurative elements that are ostensibly recognizable--hands, heads, feet--combined with abstract passages that serve to restructure order and dimensionality within the painting. This effect is reinforced by a deliberate illogicality; representational aspects of body parts are fragmented and disembodied, elusive and transitory, unbound by any particular viewpoint or frame of reference. Riding the Image surveys this development in Plessen’s art.
