ARTIST MONOGRAPHS

PUBLISHER
National Portrait Gallery

BOOK FORMAT
Hardcover, 9 x 11 in. / 192 pgs / 75 color.

PUBLISHING STATUS
Pub Date
Forthcoming

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2018 p. 83   

PRODUCT DETAILS
ISBN 9781855147904 TRADE
List Price: $49.95 CDN $67.50

AVAILABILITY
Awaiting stock

EXHIBITION SCHEDULE

London, England
National Portrait Gallery, 11/22/18–02/03/19
Princeton, NJ
Princeton University Art Museum, 02/23/19–06/09/19

BROWSE THE 2018 FALL CATALOG

From 'Led Zeppelin by Led Zeppelin' to 'The Swimming Pool in Photography' to 'Protest: The Aesthetics of Resistance,' with new monographs on Yayoi Kusama, Hilma af Klint, James Turrell and Jack Whitten, and announcing D.A.P. distribution for Glenstone Museum and SPBH Editions.

  

NATIONAL PORTRAIT GALLERY

Gainsborough's Family Album

Text by David H. Solkin, Ann Bermingham, Susan Sloman.

"I am sick of Portraits and wish very much to take up my Viol da Gamba and walk off to some sweet village when I can paint Landskips and enjoy the fag end of life in quietness and ease." Despite this famous protestation in a letter to his friend William Jackson, Thomas Gainsborough (1727–88) was clearly prepared to make an exception when it came to making portraits of his own family and himself. This book features over 50 portraits of himself, his wife, his daughters, other close relatives and his beloved dogs, Tristram and Fox.

Spanning more than four decades, Gainsborough's family portraits chart the period from the mid-1740s, when he plied his trade in his native Suffolk, to his most successful latter years at his luxuriously appointed studio in London's West End. Alongside this story of a provincial 18th-century artist's rise to fame and fortune runs a more private narrative, about the role of portraiture in the promotion of family values, at a time when these were assuming a recognizably modern form.

In the first of three introductory essays, David H. Solkin writes on Gainsborough himself, placing his family portraits in the context of earlier practice. Ann Bermingham explores Gainsborough's portraits of his daughters, with particular reference to two finished double portraits painted seven years apart and the tragic story arising from them. Susan Sloman discusses Margaret's role as her husband's business manager, its effect on the family dynamic and hence the visual representation of its members.


Gainsborough's Family Album

STATUS: Forthcoming | 1/22/2019

This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com

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