CATALOG INDEX

PUBLISHER
The Museum of Modern Art

BOOK FORMAT
Paperback, 8 x 10 in. / 200 pgs / 128 color / 92 bw.

PUBLISHING STATUS
Pub Date
Forthcoming

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2018 p. 45   

PRODUCT DETAILS
ISBN 9781633450639 TRADE
List Price: $35.00 CDN $47.50

AVAILABILITY
Awaiting stock

EXHIBITION SCHEDULE

New York
The Museum of Modern Art, 09/16/18–02/03/19

BROWSE THE 2018 SPRING CATALOG

From the Beats to the Ramones, from Warhol's legendary film Chelsea Girls to MoMA catalogs for the Bruce Nauman and Adrian Piper retrospectives, and announcing D.A.P. distribution for Skira, Lars Müller, and Inventory Press

  

THE MUSEUM OF MODERN ART

Judson Dance Theater: The Work Is Never Done

By Ana Janevski, Thomas J. Lax. Text by Giampaolo Bianconi, Harry CH Choi, Vivian A. Crockett, Danielle Goldman, Elizabeth Gollnick, Adrian Heathfield, Ana Janevski, Martha Joseph, Thomas J. Lax, Victor “Viv” Liu, Jenny Harris, Sharon Hayes, Malik Gaines, Benjamin Piekut, Kristin Poor, Julia Robinson, Gloria Sutton.

Peter Moore, "Performance view of Charles Ross's 'Qui a mangé le baboon?', Concert of Dance #13, November 20, 1963." © Barbara Moore/Licensed by VAGA, New York, NY. Courtesy Paula Cooper, New York.' From "Judson Dance Theater: The Work Is Never Done."

Using "ordinary" movements, the Judson Dance Theater stripped dance of its theatrical conventions

Taking its name from the Judson Memorial Church, a socially engaged Protestant congregation in New York's Greenwich Village, Judson Dance Theater was organized as a series of open workshops from which its participants developed performances. Redefining the kinds of movement that could count as dance, the Judson participants—Trisha Brown, Lucinda Childs, Philip Corner, Bill Dixon, Judith Dunn, David Gordon, Alex Hay, Deborah Hay, Fred Herko, Robert Morris, Steve Paxton, Rudy Perez, Yvonne Rainer, Robert Rauschenberg, Carolee Schneemann and Elaine Summers, among others—would go on to profoundly shape all fields of art in the second half of the 20th century. They employed new compositional methods to strip dance of its theatrical conventions, incorporating "ordinary" movements—gestures typical of the street or home, for example, rather than a stage—into their work, along with games, simple tasks, and social dances to infuse their pieces with a sense of spontaneity.

Published in conjunction with an exhibition at the Museum of Modern Art, Judson Dance Theater: The Work Is Never Done highlights the workshop's ongoing significance. The catalog charts the development of Judson, beginning with the workshops and classes led by Anna Halprin, Robert Ellis Dunn and James Waring, and exploring the influence of other figures working downtown such as Simone Forti and Andy Warhol, as well as venues for collective action like Judson Gallery and the Living Theatre. Lushly illustrated with film stills, photographic documentation, reproductions of sculptural objects, scores, music, poetry, architectural drawings and archival material, the publication celebrates the group's multidisciplinary and collaborative ethos as well as the range of its participants.

Peter Moore, "Performance view of Charles Ross's 'Qui a mangé le baboon?', Concert of Dance #13, November 20, 1963." © Barbara Moore/Licensed by VAGA, New York, NY. Courtesy Paula Cooper, New York.' From "Judson Dance Theater: The Work Is Never Done."

Judson Dance Theater: The Work Is Never Done

STATUS: Forthcoming | 9/25/18

This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com



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