PHOTOGRAPHY SURVEYS & COLLECTIONS

TITLE

Color Rush

IMPRINT

Aperture

PRICE US

$60.00 CDN $60.00

ISBN

9781597112260 TRADE

FORMAT

Hbk, 9.5 x 11.5 in., 288 pgs, 260 color.

CATALOG

SPRING 2013 p. 10   

DISTRIBUTOR

D.A.P.

PUB DATE

4/30/2013

STATUS

Active

STOCK

In stock

EXHIBITION SCHEDULE

Milwaukee, WI
Milwaukee Art Museum, 02/22/13-05/19/13

NEW & FORTHCOMING

NEXT STOP: ITALY

Edited by Renato Miracco. Text by Verna Curtis, Luca Panaro.
CHARTA

THIS IS MARS

Edited and designed by Xavier Barral. Text by Alfred S. McEwen, Francis Rocard, Nicolas Mangold. Photographs by NASA/MRO.
APERTURE

CALIFORNIA SURFING AND CLIMBING IN THE FIFTIES

Text by Yvon Chouinard, Steve Pezman, Steve Roper.
T. ADLER BOOKS

COTIDIANO: LATINO/U.S.

Edited by Claudi Carreras.
RM/SPAIN-USA FOUNDATION

GIFTS FOR GRADS 2013: 50 Perfect Choices for Recent Graduates!

  

APERTURE

Color Rush

American Color Photography from Stieglitz to Sherman

Text by Lisa Hostetler, Katherine Bussard.

Featured photograph, by Joel Meyerowitz, is reproduced from <I>Color Rush</I>.Today color photography is so ubiquitous that it’s hard to believe there was a time when this was not the case. Color Rush explores the developments that led us to this point, looking at the way color photographs circulated and appeared at the time of their making. From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists. The book begins with the 1907 unveiling of autochrome, the first commercially available color process, and continues up through the 1981 landmark survey show and book, The New Color Photography, which hailed the widespread acceptance of color photography in contemporary art. In the intervening years, color photography captured the popular imagination through its visibility in magazines like Life and Vogue, as well as through its accessibility in the marketplace thanks to companies like Kodak. Often in photo histories, color is presented as having arrived fully formed in the 1970s; this book reveals a deeper story and uncovers connections in both artistic and commercial practices. A comprehensive chronology and examples of significant moments and movements mark the increasing visibility of color photography. Color Rush brings together photographers and artists such as Ansel Adams, Harry Callahan, William Christenberry, William Eggleston, Walker Evans, Nan Goldin, Saul Leiter, Helen Levitt, Philip-Lorca diCorcia, László Moholy-Nagy, Irving Penn, Eliot Porter, Cindy Sherman, Stephen Shore, Laurie Simmons, Edward Steichen, Joel Sternfeld, Edward Weston and many others, and examines them in a fresh context paying particular attention to color photography’s translation onto the printed page. In doing so, it traces a new history that more fully accounts for color’s pervasive presence today.

Featured photograph, by Joel Meyerowitz, is reproduced from Color Rush.

FROM THE ARTBOOK BLOG
Cory Reynolds | Date: 4/15/2013

Color Rush

Color RushThis week Aperture released Color Rush: American Color Photography from Stieglitz to Sherman, the catalog for the Milwaukee Art Museum's stellar exhibition of color photography from its inception in the early 1900s through 1981, when the International Center of Photography opened the landmark exhibition, The New Color, featuring work by William Eggleston, Jan Groover, Joel Meyerowitz, Lucas Samaras, Stephen Shore and Eve Sonneman, among others. Nickolas Muray's "Bathing Pool Scene," shot for the June, 1931, issue of Ladies Home Journal, "marked the first color reproduction made from a color carbro photograph, a revolutionary step in color printing that would soon be copied by nearly every popular American lifestyle and fashion magazine," according to essayist Alissa Schapiro, who quotes Muray, "Color calls for a new way of looking at people, at things, and a new way of looking at color." To see a slideshow of images from the book, see the April 14 review in New York Magazine. continue to blog


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