PHOTOGRAPHY SURVEYS | COLLECTIONS

PUBLISHER
APERTURE

BOOK FORMAT
Hardcover, 9.5 x 11.25 in. / 448 pgs / illustrated throughout.

PUBLISHING STATUS
PUB DATE 9/30/2011
Active

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D.A.P. EXCLUSIVE
CATALOG: FALL 2011 p. 85   

PRODUCT DETAILS
ISBN 9781597111461 TRADE
LIST PRICE: $75.00 CDN $75.00

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Arles, France
Rencontres d'Arles, 07/04/11-09/18/11

A behind-the-scenes look into one of the preeminent venues for photography through the work of more than 130 documentary, portrait and fashion photographers, including Rineke Dijkstra, Sebastiâo Selgado, Ryan McGinley, Lynsey Addario, Lizzie Himmel, Jeff Riedel and Jeff Mermelstein.

"What continues to give such pictures their currency?
I'd answer that the project of magazine photography, today as for the past fifty, sixty years, is to reveal to us that which can only be seen when time is arrested. Photographs--especially great ones published in a journalistic context--slow things down and particularize. They advance onceness. It has been suggested that a photographer's intentions do not necessarily determine the meaning of a photograph. Fair enough. It is nevertheless true that the intention of the editors of the Times Magazine, week in and week out, is to publish, along with our long-form reportage and speculative essays, the kinds of photographs that do not simply document or deliver "news" but--by capturing that light, that gesture, that moment--arrest time, and, then, the eye of the magazine's reader: slow her down, invite him to look, look hard, look again."

Gerald Marzorati, excerpted from the introduction to The New York Times Magazine Photographs.

  

PUBLISHERS > APERTURE

The New York Times Magazine Photographs

Published by Aperture
Edited by Kathy Ryan. Preface by Gerald Marzorati.

Featured image, by Lee Friedlander, is reproduced from <I>The New York Times Magazine Photographs</I>.For over 30 years, The New York Times Magazine has been synonymous with the myriad possibilities and applications of photography. The New York Times Magazine: Photographs reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, longtime photo editor of the Magazine, and with a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in four sections: reportage, portraiture, style and conceptual photography, including photo illustration. Diverse in content and sensibility, and consistent in virtuosity, the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine form. This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the many photographers, writers, editors and other collaborators whose voices have been a part of the magazine over the years. Issues of documentary photography are addressed in relation to more conceptual photography; the efficacy of storytelling; and what makes an image evidentiary, objective, subjective, truthful or a tool for advocacy; as well as thoughts on whether these matters are currently moot, or more critical than ever. As such, The New York Times Magazine: Photographs serves as a springboard for a rigorous, necessary and revitalized examination of photography as presented within a modern journalistic context.

Featured images, by Lee Friedlander, Ryan McGinley, Stanley Greene, Lizzie Himmel and Mitch Epstein, are reproduced from The New York Times Magazine Photographs.

The New York Times Magazine Photographs

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