CONTEMPORARY ART MOVEMENTS

PUBLISHER
Blanton Museum of Art, University of Texas at Austin

BOOK FORMAT
Paperback, 8 x 11 in. / 128 pgs / 12 color / 85 bw.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2009 p. 104   

PRODUCT DETAILS
ISBN 9780981573823 TRADE
List Price: $36.00 CDN $47.50

AVAILABILITY
In stock

EXHIBITION SCHEDULE

Austin, TX
Blanton Museum of Art, 09/28/08-01/18/09

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From the Beats to the Ramones, from Warhol's legendary film Chelsea Girls to MoMA catalogs for the Bruce Nauman and Adrian Piper retrospectives, and announcing D.A.P. distribution for Skira, Lars Müller, and Inventory Press

  

BLANTON MUSEUM OF ART, UNIVERSITY OF TEXAS AT AUSTIN

New York Graphic Workshop: 1964-1970

Edited by Gabriel Pérez-Barreiro, Ursula Davila-Villa, Gina McDaniel Tarver. Text by Beverly Adams, Sylvia Dolinko, Andrea Giunta, Michael Wellen.

Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York--Luis Camnitzer, José Guillermo Castillo and Liliana Porter--this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the NYGW was to redefine the practice of printmaking in Conceptual terms, focusing on the mechanical and repetitive nature of the medium rather than its traditional techniques. The NYGW functioned as a collective. It held unconventional exhibitions, including several by mail and one in a safe-deposit box on 57th Street, and it participated in The Museum of Modern Art's 1970 exhibition Information. The NYGW also produced prints by some of the leading contemporary artists of the period, including Michael Snow, Max Neuhaus, José Luis Cuevas and Salvador Dali.
New York Graphic Workshop: 1964-1970

in stock  $36.00


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