Edited by Anthony Elms, Naima J. Keith. Text by Charles Gaines, Rita Gonzalez, Dave McKenzie, Steven Nelson.
For more than a decade, Los Angeles–based artist Rodney McMillian (born 1969) has worked in sculpture, painting, video and performance to explore the intersections of race, class, gender and socioeconomic policy.
Copublished by the Institute of Contemporary Art, University of Pennsylvania and The Studio Museum in Harlem on the occasion of Rodney McMillian: The Black Show and Rodney McMillian: Views of Main Street, this volume offers an in-depth examination of McMillian’s varied practice and his meditations on social systems, art history, science fiction and public policy.
In addition to contributions by Elms and Keith, McMillian’s radical use of postconsumer objects, video and painting is addressed in essays by leading figures including Charles Gaines, Rita Gonzalez, Dave McKenzie and Steven Nelson.
Featured image is reproduced from 'Rodney McMillian.'
in stock $50.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
FORMAT: Hbk, 8.25 x 11 in. / 168 pgs / 121 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $67.5 GBP £45.00 ISBN: 9780942949438 PUBLISHER: The Studio Museum in Harlem/Institute of Contemporary Art, University of Pennsyl AVAILABLE: 6/27/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by The Studio Museum in Harlem/Institute of Contemporary Art, University of Pennsyl. Edited by Anthony Elms, Naima J. Keith. Text by Charles Gaines, Rita Gonzalez, Dave McKenzie, Steven Nelson.
For more than a decade, Los Angeles–based artist Rodney McMillian (born 1969) has worked in sculpture, painting, video and performance to explore the intersections of race, class, gender and socioeconomic policy.
Copublished by the Institute of Contemporary Art, University of Pennsylvania and The Studio Museum in Harlem on the occasion of Rodney McMillian: The Black Show and Rodney McMillian: Views of Main Street, this volume offers an in-depth examination of McMillian’s varied practice and his meditations on social systems, art history, science fiction and public policy.
In addition to contributions by Elms and Keith, McMillian’s radical use of postconsumer objects, video and painting is addressed in essays by leading figures including Charles Gaines, Rita Gonzalez, Dave McKenzie and Steven Nelson.
