| | BOOK FORMAT Flexi, 11.5 x 10 in. / 120 pgs / 70 color. PUBLISHING STATUS Pub Date 7/31/2009 Active DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2009 p. 9 PRODUCT DETAILS ISBN 9780892073887 TRADE List Price: $45.00 CDN $60.00 AVAILABILITY In stock | EXHIBITION SCHEDULEVenice, Italy Peggy Guggenheim Collection, 05/30/09-09/20/09 | | BROWSE THE 2019 SPRING CATALOG  Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019! |
|   |   | Robert Rauschenberg: GlutsEdited by Susan Davidson. Text by Trisha Brown, Mimi Thompson. Preface by Philip Rylands.
In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant... I simply want to present people with their ruins... I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.
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FORMAT: Flexi, 11.5 x 10 in. / 120 pgs / 70 color. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $60 ISBN: 9780892073887 PUBLISHER: Guggenheim Museum Publications AVAILABLE: 7/31/2009 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock
| D.A.P. CATALOG: FALL 2009 Page 9 | INFO AS OF: June 18, 2017 | PRESS INQUIRIES
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| Robert Rauschenberg: Gluts Published by Guggenheim Museum Publications. Edited by Susan Davidson. Text by Trisha Brown, Mimi Thompson. Preface by Philip Rylands. | In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant... I simply want to present people with their ruins... I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.
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