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| | PUBLISHER
ChartaBOOK FORMAT
Paperback, 6 x 6 in. / 112 pgs / 55 color 31 bw. PUBLISHING STATUS
Pub Date 2/2/2003
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2003 PRODUCT DETAILS
ISBN 9788881584017 TRADE
List Price: $12.00 CDN $15.00 AVAILABILITY
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| | | CHARTAAnimal House: When Objects Have Animals' NamesArtwork by Carlos Amorales. Edited by Silvana Annicchiarico. Text by Giancarlo Basili, Augusto Morello, Gianni Ottolini.
A zoologist might classify Italian design objects in various ways, distinguishing between species that are capable of flight (the Vespa “Wasp” scooter, the Heron lamp), of living aqueous lives (the Dolphin armchair, the jellyfish-like Medusa lamp), and of existing on terra firma (the Grillo “Cricket” telephone, the mouse-sized Topolino automobile). Alternately, one could catalog these all-but-inanimate objects in terms of the fictional creatures they evoke (the Moby Dick chair, Bruno Munari's Meo Romeo cat). This zoophilic trend in Italian design is neither an accidental nor an occasional element, nor need it be seen as some beastial obsession. On the contrary, it is a complex symbolic mechanism that repopulates domestic interiors with a little bit of the animal world that has been chased from our homes and neighborhoods. The presence of these experimental designs in an otherwise animal-free home helps it come to life as a virtual zoo, thus helping us to remember always: it's a zoo out there.
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FORMAT: Paperback, 6 x 6 in. / 112 pgs / 55 color 31 b&w.
LIST PRICE: U.S. $12.00
LIST PRICE: CANADA $15
ISBN: 9788881584017
PUBLISHER: Charta
AVAILABLE: 2/2/2003
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
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| Animal House: When Objects Have Animals' Names Published by Charta.
Artwork by Carlos Amorales. Edited by Silvana Annicchiarico. Text by Giancarlo Basili, Augusto Morello, Gianni Ottolini. A zoologist might classify Italian design objects in various ways, distinguishing between species that are capable of flight (the Vespa “Wasp” scooter, the Heron lamp), of living aqueous lives (the Dolphin armchair, the jellyfish-like Medusa lamp), and of existing on terra firma (the Grillo “Cricket” telephone, the mouse-sized Topolino automobile). Alternately, one could catalog these all-but-inanimate objects in terms of the fictional creatures they evoke (the Moby Dick chair, Bruno Munari's Meo Romeo cat). This zoophilic trend in Italian design is neither an accidental nor an occasional element, nor need it be seen as some beastial obsession. On the contrary, it is a complex symbolic mechanism that repopulates domestic interiors with a little bit of the animal world that has been chased from our homes and neighborhoods. The presence of these experimental designs in an otherwise animal-free home helps it come to life as a virtual zoo, thus helping us to remember always: it's a zoo out there.
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