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| | PUBLISHER
ChartaBOOK FORMAT
Paperback, 9 x 11.5 in. / 240 pgs / 7 bw / 146 duotone. PUBLISHING STATUS
Pub Date 8/2/2002
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2002 PRODUCT DETAILS
ISBN 9788881583867 TRADE
List Price: $39.95 CDN $50.00 AVAILABILITY
Not available | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | CHARTAJannis KounellisEssays by Jan Hoet and Dieter Roelstraete.
Greek-born artist Jannis Kounellis is often identified with the Italian Arte Povera movement, though he had already made a name for himself in the Roman art scene of the early 1960s before allying himself to that movement in 1967. Using materials then considered unusual (such as wool, coal, live animals and plants), and blessed with a keen sixth sense for combining them, Kounellis worked to eliminate ideological boundaries between life and art, ethics and aesthetics, creation and production, the social and the individual. In the 1970s and 1980s, Kounellis continued to build this vocabulary of materials, introducing smoke, shelving units, coffee and coal. Kounellis's exemplary artistic odyssey and his more than four decades of fervent and impassioned activity are here surveyed on the occasion of his first large-scale exhibition in Belgium.
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FORMAT: Paperback, 9 x 11.5 in. / 240 pgs / 7 b&w / 146 duotone.
LIST PRICE: U.S. $39.95
LIST PRICE: CANADA $50
ISBN: 9788881583867
PUBLISHER: Charta
AVAILABLE: 8/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
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| Jannis Kounellis Published by Charta.
Essays by Jan Hoet and Dieter Roelstraete. Greek-born artist Jannis Kounellis is often identified with the Italian Arte Povera movement, though he had already made a name for himself in the Roman art scene of the early 1960s before allying himself to that movement in 1967. Using materials then considered unusual (such as wool, coal, live animals and plants), and blessed with a keen sixth sense for combining them, Kounellis worked to eliminate ideological boundaries between life and art, ethics and aesthetics, creation and production, the social and the individual. In the 1970s and 1980s, Kounellis continued to build this vocabulary of materials, introducing smoke, shelving units, coffee and coal. Kounellis's exemplary artistic odyssey and his more than four decades of fervent and impassioned activity are here surveyed on the occasion of his first large-scale exhibition in Belgium.
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