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| | BOOK FORMAT
Hardcover, 8.5 x 11 in. / 128 pgs / 100 color. PUBLISHING STATUS
Pub Date 7/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2007 p. 88 PRODUCT DETAILS
ISBN 9788434311367 TRADE
List Price: $34.00 CDN $40.00 AVAILABILITY
Not available | TERRITORY
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| | | VelázquezText by Santiago Alcolea.
Like his Dutch contemporary Vermeer, Diego Velázquez (1599-1660) had little reputation outside of his native land until the nineteenth century, when the Spanish royal painting collections became state property and were installed in the Prado Museum in Madrid. The year was in 1819, and several private and official collections in London and Paris also benefited. Unlike Vermeer, however, Velázquez had a fairly large oeuvre waiting to be rediscovered--and rediscovered it was, with great rapidity and enthusiasm. Goya and Manet are almost inconceivable without the precedent of Velázquez's portraiture, and in fact Manet even called the Spaniard "the painter of painters." His impact on French Impressionism was colossal. And two of the twentieth century's most famous artists painted direct homages: Picasso made a version of "Las Meninas" in 1957; and Francis Bacon's "screaming popes" are based on Velázquez's 1650 portrait of Pope Innocent X. From Goya until today, Velázquez's work has been recognized not only as the essential forerunner to Modern painting, but also as the greatest exponent of seventeenth-century Spanish art.
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USD $34.00 | CAN $40Pub Date: 7/1/2007
Out of print | Not available
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USD $34.00 | CAN $45Pub Date: 11/1/2008
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FORMAT: Hardcover, 8.5 x 11 in. / 128 pgs / 100 color.
LIST PRICE: U.S. $34.00
LIST PRICE: CANADA $40
ISBN: 9788434311367
PUBLISHER: Ediciones Polígrafa
AVAILABLE: 7/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA Japan | D.A.P. CATALOG: FALL 2007 Page 88 | PRESS INQUIRIES
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| Velázquez Published by Ediciones Polígrafa.
Text by Santiago Alcolea. Like his Dutch contemporary Vermeer, Diego Velázquez (1599-1660) had little reputation outside of his native land until the nineteenth century, when the Spanish royal painting collections became state property and were installed in the Prado Museum in Madrid. The year was in 1819, and several private and official collections in London and Paris also benefited. Unlike Vermeer, however, Velázquez had a fairly large oeuvre waiting to be rediscovered--and rediscovered it was, with great rapidity and enthusiasm. Goya and Manet are almost inconceivable without the precedent of Velázquez's portraiture, and in fact Manet even called the Spaniard "the painter of painters." His impact on French Impressionism was colossal. And two of the twentieth century's most famous artists painted direct homages: Picasso made a version of "Las Meninas" in 1957; and Francis Bacon's "screaming popes" are based on Velázquez's 1650 portrait of Pope Innocent X. From Goya until today, Velázquez's work has been recognized not only as the essential forerunner to Modern painting, but also as the greatest exponent of seventeenth-century Spanish art.
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