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Hardcover, 8.75 x 10.25 in. / 240 pgs / 160 color. PUBLISHING STATUS
Pub Date 2/2/2003
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Catalog: FALL 2002 PRODUCT DETAILS
ISBN 9788434310070 TRADE
List Price: $55.00 CDN $72.50 AVAILABILITY
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NA Japan | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Cristina IglesiasEdited by Iwona Blazwick. Essays by Richard Etlin, Michael Newman and Michael Tarantino.
Working towards the melding of her artistic work with architecture, Cristina Iglesias has long been attracted to spaces within spaces. The sheer scale of her sculptures invites viewers to walk around and occasionally through her pieces. On a more microscopic level, Iglesias has remained fascinated by details, and by data that deliberately distracts or skews the perception of abstract forms. Rich surfaces, such as cast impressions of local and exotic flora, become progressively all-consuming as the viewer approaches them. This publication is the first mongraph on the artist, and includes a consideration of work done in collaboration with architects Abalos & Herreros and Paul Robbrech.
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|  | Hatje CantzISBN: 9783775748230
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|  | La FábricaISBN: 9788492841073
USD $65.00 | CAN $87 UK £ 62Pub Date: 3/31/2012
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|  | Ediciones PolígrafaISBN: 9788434312302
USD $55.00 | CAN $72.5Pub Date: 9/30/2010
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|  | Ediciones PolígrafaISBN: 9788434310070
USD $55.00 | CAN $72.5Pub Date: 2/2/2003
Active | In stock
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FORMAT: Hardcover, 8.75 x 10.25 in. / 240 pgs / 160 color.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $72.5
ISBN: 9788434310070
PUBLISHER: Ediciones Polígrafa
AVAILABLE: 2/2/2003
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA Japan | D.A.P. CATALOG: FALL 2002 | PRESS INQUIRIES
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| Cristina Iglesias Published by Ediciones Polígrafa.
Edited by Iwona Blazwick. Essays by Richard Etlin, Michael Newman and Michael Tarantino. Working towards the melding of her artistic work with architecture, Cristina Iglesias has long been attracted to spaces within spaces. The sheer scale of her sculptures invites viewers to walk around and occasionally through her pieces. On a more microscopic level, Iglesias has remained fascinated by details, and by data that deliberately distracts or skews the perception of abstract forms. Rich surfaces, such as cast impressions of local and exotic flora, become progressively all-consuming as the viewer approaches them. This publication is the first mongraph on the artist, and includes a consideration of work done in collaboration with architects Abalos & Herreros and Paul Robbrech.
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