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| | BOOK FORMAT
Hardcover, 7.5 x 10 in. / 100 pgs / 60 color / 40 bw. PUBLISHING STATUS
Pub Date 9/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2007 p. 131 PRODUCT DETAILS
ISBN 9783905770339 TRADE
List Price: $29.00 CDN $35.00 AVAILABILITY
Not available | TERRITORY
NA LA ASIA AU/NZ AFR ME | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Simon Dybbroe Møller: Like Origami Gone WrongEdited by Thorsten Sadowsky, Madeleine Schuppli. Text by Jan Verwoert.
Simon Dybbroe Møller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore, Modernism represents--and I guess it is almost a cliché to say--the last period of utopia, and a belief in actually producing truths." One installation, a darkened room with scattered light sources and projection screens, recalls both a party and the fusty setting of an academic conference; in another, a portrait of Le Corbusier emerges from a stain in the ceiling. Frieze magazine has called Møller's celebration of both the past and the uninterrupted march of artistic progress "a welcome alternative to thinking about art history as a daunting public library with strict rules for readers."
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FORMAT: Hardcover, 7.5 x 10 in. / 100 pgs / 60 color / 40 b&w.
LIST PRICE: U.S. $29.00
LIST PRICE: CANADA $35
ISBN: 9783905770339
PUBLISHER: JRP|Ringier
AVAILABLE: 9/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2007 Page 131 | PRESS INQUIRIES
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| Simon Dybbroe Møller: Like Origami Gone Wrong Published by JRP|Ringier.
Edited by Thorsten Sadowsky, Madeleine Schuppli. Text by Jan Verwoert. Simon Dybbroe Møller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore, Modernism represents--and I guess it is almost a cliché to say--the last period of utopia, and a belief in actually producing truths." One installation, a darkened room with scattered light sources and projection screens, recalls both a party and the fusty setting of an academic conference; in another, a portrait of Le Corbusier emerges from a stain in the ceiling. Frieze magazine has called Møller's celebration of both the past and the uninterrupted march of artistic progress "a welcome alternative to thinking about art history as a daunting public library with strict rules for readers."
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