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| | | | Liam Gillick: Factories in the SnowEssay by Lilian Haberer.
Published by JRP|RingierThis new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize. | D.A.P. CATALOG: FALL 2006 p. 119 | SEARCH BY ARTIST, TITLE OR KEYWORD |
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| LIAM GILLICK: FACTORIES IN THE SNOW
$45.00 | In Stock: Order below or contact your local bookstore or museum shop.
| U.S. LIST PRICE: U.S. $45.00
CANADIAN PRICE: CAN $54
ISBN: 9783905701647
FORMAT: Paperback, 9.5 x 11.25 in. / 160 pgs / 120 color.
PUBLISHER: JRP|Ringier
DISTRIBUTION: | RETAILER DISC: TRADE
PUBLICATION DATE: 11/15/2006 | Active
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The D.A.P. Catalog @ ARTBOOK | D.A.P. / Distributed Art Publishers, Inc. | New York, New York
1-800-338-BOOKCopyright Distributed Art Publishers, Inc. and Artbook LLC and the respective holders of copyright in individual images and texts, 2010.
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| Liam Gillick: Factories in the Snow | JRP|Ringier | Pub Date: 11/15/2006 |  |
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $54
ISBN: 9783905701647
PUBLISHER: JRP|Ringier
PUB DATE: 11/15/2006
FORMAT: Paperback, 9.5 x 11.25 in. / 160 pgs / 120 color.
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: ActiveAVAILABILITY: In stock
| D.A.P. CATALOG:
FALL 2006 Page 119 |
| Liam Gillick: Factories in the Snow Essay by Lilian Haberer.
This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.
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