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Hardcover, 11.75 x 9.5 in. / 124 pgs / 52 color. PUBLISHING STATUS
Pub Date 10/1/2006
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 114 PRODUCT DETAILS
ISBN 9783775718486 TRADE
List Price: $50.00 CDN $60.00 AVAILABILITY
Not available | TERRITORY
NA LA | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Michael ReischForeword by Ulrich Pohlmann. Text by Rolf Hengesbach, Martin Hochleitner.
The lush and subtly disturbing landscape photographs of Michael Reisch cannot clearly be defined as depicting either reality or simulation. Using a large-format camera, the artist, who was once a student of Bernd Becher's, photographs long green landscapes, industrial complexes and other strangely energized buildings. Then he digitizes his images and manipulates them on the computer--removing all traces of specific place, time or human intervention--until he has created "invented" areas of the landscape that feel "more real" than the actual landscape, while the "real" landscape takes on a simulated tone that can almost call to mind The Lord of the Rings--in a very good way. This monograph is the first to offer a concentrated look at this young Dusseldorf-based artist.
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| | | | |  | KerberISBN: 9783866789036
USD $55.00 | CAN $72.5Pub Date: 9/30/2014
Active | Out of stock
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FORMAT: Hardcover, 11.75 x 9.5 in. / 124 pgs / 52 color.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $60
ISBN: 9783775718486
PUBLISHER: Hatje Cantz
AVAILABLE: 10/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2007 Page 114 | PRESS INQUIRIES
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| Michael Reisch Published by Hatje Cantz.
Foreword by Ulrich Pohlmann. Text by Rolf Hengesbach, Martin Hochleitner. The lush and subtly disturbing landscape photographs of Michael Reisch cannot clearly be defined as depicting either reality or simulation. Using a large-format camera, the artist, who was once a student of Bernd Becher's, photographs long green landscapes, industrial complexes and other strangely energized buildings. Then he digitizes his images and manipulates them on the computer--removing all traces of specific place, time or human intervention--until he has created "invented" areas of the landscape that feel "more real" than the actual landscape, while the "real" landscape takes on a simulated tone that can almost call to mind The Lord of the Rings--in a very good way. This monograph is the first to offer a concentrated look at this young Dusseldorf-based artist.
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