| | BOOK FORMAT Hardcover, 9.5 x 13.25 in. / 132 pgs / 116 color. PUBLISHING STATUS Pub Date 4/2/2004 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2004 PRODUCT DETAILS ISBN 9783775714273 TRADE List Price: $70.00 CDN $85.00 AVAILABILITY Not available | | BROWSE THE 2019 SPRING CATALOG  Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019! |
|   |   | Hannah Höch: AlbumEdited by Gunda Luyken.
As one of the protagonists of the Berlin Dada movement, Hannah Höch railed against tradition and conservatism in 1920s Germany. Höch and such cohorts as George Grosz and Raoul Hausmann raised anarchic revolution through cutting photomontage, nonsensical performance, and biting visual satire. A singular and important work in the artist's oeuvre is the so-called “Sammelalbum,” which she produced and pasted together from found imagery for her own pleasure and use, circa 1933. In it, she arranged a choice selection of newspaper and magazine photographs cut from popular German magazines of the time, such as the Berliner Illustrirte and Der Dame. A diverse, allusive group of images they are, representing everything from her favorite film stars to oddly captured animals and toy dolls, nudes, landscapes, scenic travel vistas and synchronized dancers. By combining the collected pictures in continuous and sometimes contradictory sequences and double-page spreads, Höch created startling and often jarring photo collages. Never before published, Album can be considered to represent a heretofore unknown aspect of Höch's work, since its style of collage differs strongly from her well-known photomontages. This publication presents the entire Album in an exquisite facsimile reproduction, maintaining the filmic quality of its order and layout. In an accompanying essay, Gunda Luyken considers the content and history of the Album, locating it in the wider context of Höch's oeuvre.
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| | | | A DADA LIBRARY |  | NATIONAL GALLERY OF ART, WASHINGTON/D.A.P.ISBN: 9780894683138 | US $29.95Pub Date: 3/1/2008 Active | In stock
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|  | Introduction by Nicholas Hall. Text by Dawn Ades, Olivier Berggruen, J. Patrice Marandel.DAVID ZWIRNER BOOKSISBN: 9781941701881 | US $75.00Pub Date: 4/23/2019 Forthcoming
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|  | By Calvin Tomkins.BADLANDS UNLIMITEDISBN: 9781936440399 | US $16.00Pub Date: 2/28/2013 Active | In stock
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|  | HATJE CANTZISBN: 9783775739207 | US $60.00Pub Date: 2/24/2015 Active | In stock
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|  | LOUISIANA MUSEUM OF MODERN ARTISBN: 9788792877000 | US $35.00Pub Date: 1/31/2013 Active | In stock
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|  | By Georges Ribemont-Dessaignes. Introduction and translation by Christopher Butterfield.WAKEFIELD PRESSISBN: 9781939663054 | US $17.95Pub Date: 1/31/2015 Active | In stock
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|  | ASAMERISBN: 9789491775116 | US $55.00Pub Date: 3/31/2014 Active | In stock
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|  | Introduction by Dawn Ades. Translated by Chris Allen.ATLAS PRESSISBN: 9781900565431 | US $26.95Pub Date: 1/31/2014 Active | In stock
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|  | By Hugo Ball. Introduction by Marc Dachy. Translated by Catherine Schelbert. Illustrations by Tal R.WAKEFIELD PRESSISBN: 9781939663030 | US $17.95Pub Date: 7/31/2014 Active | In stock
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|  | By Calvin Tomkins.THE MUSEUM OF MODERN ART, NEW YORKISBN: 9780870708923 | US $24.95Pub Date: 7/31/2014 Active | In stock
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|  | Text by Herbert Molderings, Friedrich Kiesler. Photographs by Percy Rainford.WALTHER KöNIG, KöLNISBN: 9783863353322 | US $29.95Pub Date: 2/28/2014 Active | In stock
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|  | Afterword by Gunda Luyken. Translated by Brian Currid.THE GREEN BOXISBN: 9783941644137 | US $49.95Pub Date: 10/31/2010 Active | In stock
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|  | Edited by Michael Parke-Taylor. Text by Angie Littlefield, Dorothy Rowe, Sabine Kriebel.WALTHER KöNIG, KöLNISBN: 9783865606310 | US $39.00Pub Date: 2/28/2010 Active | In stock
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|  | By Alice Goldfarb Marquis.MFA PUBLICATIONSISBN: 9780878466443 | US $37.50Pub Date: 9/2/2002 Active | In stock
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|  | Edited by Klaus Gallwitz. Text by Astrid von Asten, Isabel Ewig, Walburga Krupp, Eric Robertson, Fritz Usinger.RICHTER VERLAGISBN: 9783937572741 | US $95.00Pub Date: 2/1/2008 Active | In stock
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|  | By Kurt Schwitters. Edited and translated by Jerome Rothenberg and Pierre Joris.EXACT CHANGEISBN: 9781878972354 | US $17.95Pub Date: 9/30/2010 Active | In stock
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|  | D.A.P./THE NATIONAL GALLERY OF ART, WASHINGTONISBN: 9781933045146 | US $45.00Pub Date: 5/15/2005 Active | In stock
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| |  | Introduction and text by Alma-Elisa Kittner. Photographs by Orgel-Köhne.THE GREEN BOXISBN: 9783941644847 | US $65.00Pub Date: 9/27/2016 Active | In stock
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|  | Afterword by Gunda Luyken. Translated by Brian Currid.THE GREEN BOXISBN: 9783941644137 | US $49.95Pub Date: 10/31/2010 Active | In stock
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FORMAT: Hardcover, 9.5 x 13.25 in. / 132 pgs / 116 color. LIST PRICE: U.S. $70.00 LIST PRICE: CANADA $85 ISBN: 9783775714273 PUBLISHER: Hatje Cantz AVAILABLE: 4/2/2004 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2004 | INFO AS OF: June 18, 2017 | PRESS INQUIRIES
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| Hannah Höch: Album Published by Hatje Cantz. Edited by Gunda Luyken. | As one of the protagonists of the Berlin Dada movement, Hannah Höch railed against tradition and conservatism in 1920s Germany. Höch and such cohorts as George Grosz and Raoul Hausmann raised anarchic revolution through cutting photomontage, nonsensical performance, and biting visual satire. A singular and important work in the artist's oeuvre is the so-called “Sammelalbum,” which she produced and pasted together from found imagery for her own pleasure and use, circa 1933. In it, she arranged a choice selection of newspaper and magazine photographs cut from popular German magazines of the time, such as the Berliner Illustrirte and Der Dame. A diverse, allusive group of images they are, representing everything from her favorite film stars to oddly captured animals and toy dolls, nudes, landscapes, scenic travel vistas and synchronized dancers. By combining the collected pictures in continuous and sometimes contradictory sequences and double-page spreads, Höch created startling and often jarring photo collages. Never before published, Album can be considered to represent a heretofore unknown aspect of Höch's work, since its style of collage differs strongly from her well-known photomontages. This publication presents the entire Album in an exquisite facsimile reproduction, maintaining the filmic quality of its order and layout. In an accompanying essay, Gunda Luyken considers the content and history of the Album, locating it in the wider context of Höch's oeuvre.
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