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| | BOOK FORMAT
Hardcover, 11 x 12.5 in. / 168 pgs / 70 color PUBLISHING STATUS
Pub Date 2/2/2003
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2003 PRODUCT DETAILS
ISBN 9783775712293 TRADE
List Price: $55.00 CDN $65.00 AVAILABILITY
Not available | TERRITORY
NA LA | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Ellsworth Kelly: In-Between Spaces, Works 1956-2002Artwork by Ellsworth Kelly. Contributions by Gottfried Boehm. Text by Viola Weigel.
Ellsworth Kelly's oeuvre can perhaps best be summed up by a phrase from Gottfried Boehm: "In between: this is the shortest formula of his aesthetics." With abstract expressionism at its peak, and based on the traditions of the abstract avant-garde in dialogue with color field painting, Kelly developed a vocabulary that left panel painting behind. In a conscious questioning of the conditions that underlie perception, he not only explores the relationships of painting and wall, sculpture and space, but also, and in particular, the relationship between viewer and work. A selection of more than 40 pieces of art from the past five decades, most of them from the collection of the artist, this book offers an expert investigation into the artistic development of one of the leading exponents of international postwar art.
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FORMAT: Hardcover, 11 x 12.5 in. / 168 pgs / 70 color
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9783775712293
PUBLISHER: Hatje Cantz
AVAILABLE: 2/2/2003
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Ellsworth Kelly: In-Between Spaces, Works 1956-2002 Published by Hatje Cantz.
Artwork by Ellsworth Kelly. Contributions by Gottfried Boehm. Text by Viola Weigel. Ellsworth Kelly's oeuvre can perhaps best be summed up by a phrase from Gottfried Boehm: "In between: this is the shortest formula of his aesthetics." With abstract expressionism at its peak, and based on the traditions of the abstract avant-garde in dialogue with color field painting, Kelly developed a vocabulary that left panel painting behind. In a conscious questioning of the conditions that underlie perception, he not only explores the relationships of painting and wall, sculpture and space, but also, and in particular, the relationship between viewer and work. A selection of more than 40 pieces of art from the past five decades, most of them from the collection of the artist, this book offers an expert investigation into the artistic development of one of the leading exponents of international postwar art.
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