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| | PUBLISHER
Galerie Daniel TemplonBOOK FORMAT
Hardcover, 11.75 x 9.5 in. / 64 pgs / 38 color. PUBLISHING STATUS
Pub Date 8/15/2006
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2006 p. 123 PRODUCT DETAILS
ISBN 9782952391405 TRADE
List Price: $29.95 CDN $35.00 AVAILABILITY
Not available | TERRITORY
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| | | GALERIE DANIEL TEMPLONWill Cotton: Paintings 1999-2004Essay by Ann Hindry.
Will Cotton once described himself as landscape painter, but for more than five years now his fantasy scenes have been enriched by soft, scantily clad and nude women enjoying the singularly imagined scenery. They lounge around biscuit balconies, chocolate waterfalls, whipped-cream geysers, toffee rocks and flan islands, safe inside the lollipop hedges of a rich fantasyland. Cotton, who used to begin each painting by making a maquette of a candy scene with real products and photographing it, has, rather than opt to work from multiple images or from life, enlarged that initial photography process dramatically, creating large-scale stage sweets and bringing out gigantic portions of real ones, and posing models among them. The succulence of Cotton's subject matter is a perfect match for each piece's eventual lustrous finish, which is as deliberately academic as it is smooth and rich.
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FORMAT: Hardcover, 11.75 x 9.5 in. / 64 pgs / 38 color.
LIST PRICE: U.S. $29.95
LIST PRICE: CANADA $35
ISBN: 9782952391405
PUBLISHER: Galerie Daniel Templon
AVAILABLE: 8/15/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2006 Page 123 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
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| Will Cotton: Paintings 1999-2004 Published by Galerie Daniel Templon.
Essay by Ann Hindry. Will Cotton once described himself as landscape painter, but for more than five years now his fantasy scenes have been enriched by soft, scantily clad and nude women enjoying the singularly imagined scenery. They lounge around biscuit balconies, chocolate waterfalls, whipped-cream geysers, toffee rocks and flan islands, safe inside the lollipop hedges of a rich fantasyland. Cotton, who used to begin each painting by making a maquette of a candy scene with real products and photographing it, has, rather than opt to work from multiple images or from life, enlarged that initial photography process dramatically, creating large-scale stage sweets and bringing out gigantic portions of real ones, and posing models among them. The succulence of Cotton's subject matter is a perfect match for each piece's eventual lustrous finish, which is as deliberately academic as it is smooth and rich.
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