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| | | John Miller: The Price ClubSelected Writings 1977-1998By John Miller. Edited by Lionel Bovier.
For writer, critic and artist John Miller, the issue of the production-reception of a work of art is a genuine dialectic. He argues that the artist has no choice but to address the sociopolitical questions and the ideological apparatuses linked to the production of cultural “artefacts.” Hence, his witty title, drawing attention to art as commodity. From polemical pieces to extensive theoretical essays to studies of Ed Ruscha, Bruce Nauman, Richard Artschwager and John Baldessari, the texts collected here respond to the ongoing collision of aesthetics and exchange value. Throughout, Miller draws upon his seemingly inexhaustible knowledge of art history, theory and popular culture. As critic Bruce Hainley has written in Artforum, “Miller's essays are a pungent intervention into the ideologies of beauty, representation and looking.”
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|  | By Thomas Lawson. Edited by Lionel Bovier and Fabrice Stroun.JRP|RINGIERISBN: 9782940271221 | US $15.00Pub Date: 8/15/2005
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|  | By César Aira. Foreword by Will Chancellor. Afterword by Alexandra Kleeman. Translated by Katherine Silver.DAVID ZWIRNER BOOKSISBN: 9781941701867 | US $12.95Pub Date: 11/20/2018
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FORMAT: Paperback, 6 x 8.5 in. / 192 pgs.
LIST PRICE: U.S. $15.00
LIST PRICE: CANADA $21.5
ISBN: 9782940271054
PUBLISHER: JRP|Ringier
AVAILABLE: 8/15/2005
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| John Miller: The Price Club
Selected Writings 1977-1998 Published by JRP|Ringier.
By John Miller. Edited by Lionel Bovier. | For writer, critic and artist John Miller, the issue of the production-reception of a work of art is a genuine dialectic. He argues that the artist has no choice but to address the sociopolitical questions and the ideological apparatuses linked to the production of cultural “artefacts.” Hence, his witty title, drawing attention to art as commodity. From polemical pieces to extensive theoretical essays to studies of Ed Ruscha, Bruce Nauman, Richard Artschwager and John Baldessari, the texts collected here respond to the ongoing collision of aesthetics and exchange value. Throughout, Miller draws upon his seemingly inexhaustible knowledge of art history, theory and popular culture. As critic Bruce Hainley has written in Artforum, “Miller's essays are a pungent intervention into the ideologies of beauty, representation and looking.”
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