PUBLISHER
D.A.P.

BOOK FORMAT
Clth, 9.75 x 11.75 in. / 400 pgs / 1500 color / 20 bw.

PUBLISHING STATUS
PUB DATE
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: SPRING 2003 p. 96   

PRODUCT DETAILS
ISBN 9781891024634 TRADE
LIST PRICE: $85.00 CDN $100.00

AVAILABILITY
In stock

The definitive book on Andy Warhol's prints, now in an updated edition

  

D.A.P.

Andy Warhol: Prints

A Catalogue Raisonné 1962–1987

Published by D.A.P.
Copublished with Ronald Feldman Fine Arts / The Andy Warhol Foundation for the Visual Arts / Edition Schellmann.

Edited by Claudia Defendi, Frayda Feldman, Jörg Schellmann. Text by Arthur Danto, Donna De Salvo.

The updated edition of the definitive, authorized catalogue raisonne of Andy Warhol's prints, reproducing more than 1,700 prints -- all in full color with complete scholarly documentation

Andy Warhol: Prints, in its fourth edition, with corrections, is the definitive scholarly reference source for collectors, auction houses, libraries, curators, academics and art dealers. Andy Warhol spent his career working so prodigiously as to assure long-lasting renown. In the printmaking field alone, his output was prolific, and his appropriation of silkscreen as a fine-art medium forever altered the way prints look. This thoroughly revised and expanded fourth edition of Andy Warhol Prints: A Catalogue Raisonne 1962–1987 traces Warhol's complete graphic oeuvre from his first unique works on paper in 1962 through his final published portfolio in 1987.

More than 1,700 works are illustrated, an increase of 500 from the previous edition of the catalogue raisonné, and complete documentation is provided for each. New additions include a section focusing on Warhol's popular portraits, with documentation of prints that were related to paintings commissioned during the 1970s and 1980s, and a new supplement featuring prints and illustrated books from the 1950s, including the beloved 25 Cats Named Sam and One Blue Pussy.

An essay by Donna De Salvo addresses Warhol's self-published books and portfolios from the same era. An extensive chronology of printmaking activity, a complete exhibition history, a selected bibliography and a greatly expanded appendix to published prints complete the book.



Andy Warhol: Prints

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FROM THE ARTBOOK BLOG

AUSTIN BOWES | DATE 1/11/2016

NEW EXPANDED EDITION: Andy Warhol: Prints, Catalogue Raisonné

NEW EXPANDED EDITION: Andy Warhol: Prints A Catalogue Raisonné 1962–1987“Andy Warhol’s images may be as intrinsically shallow or inane as Howdy Doody, which doubtless led Warhol’s critics to think of him as shallow and inane. But such critics were blind to the power these images held for vast populations whose lives they distilled and energized.” So writes art historian Arthur C. Danto in his deep exploration of Warhol's power in visual culture, published in the definitive catalogue raisonné, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, first issued in 1989 and now available in a new, heavily updated fourth edition.
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FROM THE ARTBOOK BLOG

CORY REYNOLDS | DATE 12/10/2015

Andy Warhol: Prints

Andy Warhol: Prints, Marilyn Monroe"Through his conceptualization of the printing process, Warhol transformed that process into his metaphor for America—its capitalism, its abundance, its industry, and, most important, its simultaneous and contradictory desire for innovation and uniformity—Marcel Duchamp meets Norman Rockwell meets cable television," Donna De Salvo writes in our definitive new edition of Andy Warhol: Prints, A Catalogue Raisonné 1962–1987. "In the subtle details of a single Camouflage print or the 632 variations of Sunset, we also discover a world of illusion fabricated by Andy Warhol, an artist who in the end got more than he could ever have foreseen when he decided 'not to be imaginative.'" Featured image is from the Marilyn Monroe (Marilyn) series, 1967. See more of our favorite Holiday Gift Books of 2015. >> continue to blog


FROM THE ARTBOOK BLOG

CORY REYNOLDS | DATE 12/9/2015

Andy Warhol: Prints

Andy Warhol: Prints, Electric Chair"More than any other artist of his generation, Andy Warhol understood how the reproduced image had come to reflect and shape contemporary life," Donna De Salvo writes in the definitive new edition of Andy Warhol: Prints, A Catalogue Raisonné 1962–1987. "His paintings of Coca-Cola bottles, race riots in Birmingham, Alabama, and the empty desolation of the death chamber are like a catalogue of contemporary hieroglyphs scattered across the American landscape. Warhol's decision to select images from popular culture and combine them with the printing processes of the commercial world was an essential element of his Pop statement. With nearly scientific fervor, he dissected the very mechanics of image production and, through this unexpected commonplace vehicle, discovered a way to be original." This selection of Warhol's 1971 Electric Chairs edition is reproduced from the book, one of our top Holiday Gift Books of 2015. >> continue to blog


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