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| NEIL JENNEY: THE BAD YEARS
Edited by Jessie Washburne-Harris. Essay by Paul Gardner.
U.S. $40.00 | CAN $48
ISBN: 9781880154502 | TRADE
PUB DATE: 6/2/2001 | Not available
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| | | Neil Jenney: The Bad YearsEdited by Jessie Washburne-Harris. Essay by Paul Gardner.
Published by Gagosian GalleryConcentrating on the brief but pivotal phase between 1969 and 1970, this catalogue makes a timely reconsideration of Neil Jenney's career, emphasizing his transition to a mature body of work. Jenney located new realisms in narratives built of simple object relations (such as the 1969 piece "Sawn and Saw," which depicts a saw and a piece of cut wood). His deceptively simple imagery and textual juxtapositions convey the temporal coexistence of these objects in both real and conceptual terms. | D.A.P. CATALOG: FALL 2001 | SEARCH BY ARTIST, TITLE OR KEYWORD |
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| NEIL JENNEY: THE BAD YEARS
$40.00 | Out of Print. Check the Stores tab to locate a shop that may have copies.
| U.S. LIST PRICE: U.S. $40.00
CANADIAN PRICE: CAN $48
ISBN: 9781880154502
FORMAT: Hardcover, 12 x 10 in. / 82 pgs / 39 color.
PUBLISHER: Gagosian Gallery
DISTRIBUTION: | RETAILER DISC: TRADE
PUBLICATION DATE: 6/2/2001 | Out of print
AVAILABILITY: Not available |
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1-800-338-BOOKCopyright Distributed Art Publishers, Inc. and Artbook LLC and the respective holders of copyright in individual images and texts, 2010.
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| Neil Jenney: The Bad Years | Gagosian Gallery | Pub Date: 6/2/2001 |  |
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $48
ISBN: 9781880154502
PUBLISHER: Gagosian Gallery
PUB DATE: 6/2/2001
FORMAT: Hardcover, 12 x 10 in. / 82 pgs / 39 color.
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of printAVAILABILITY: Not available
| D.A.P. CATALOG:
FALL 2001 |
| Neil Jenney: The Bad Years Edited by Jessie Washburne-Harris. Essay by Paul Gardner.
Concentrating on the brief but pivotal phase between 1969 and 1970, this catalogue makes a timely reconsideration of Neil Jenney's career, emphasizing his transition to a mature body of work. Jenney located new realisms in narratives built of simple object relations (such as the 1969 piece "Sawn and Saw," which depicts a saw and a piece of cut wood). His deceptively simple imagery and textual juxtapositions convey the temporal coexistence of these objects in both real and conceptual terms.
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