| | TITLE | Paris Peasant | IMPRINT | Exact Change | PRICE US | $15.95 CDN $15.95 | ISBN | 9781878972101 TRADE | FORMAT | Pbk, 6 x 8 in., 228 pgs. | CATALOG | FALL 2011 p. 56 | DISTRIBUTOR | D.A.P. | PUB DATE | 9/30/2011 | STATUS | Active | STOCK | In stock |
| | NEW & FORTHCOMING By Léon Genonceaux. Introduction and translation by Iain White. ATLAS PRESS By Georges Perec, Michèle Audin, Marcel Bénabou, Jacques Bens, Paul Braffort, François Caradec, Frédéric Forte, Paul Fournel, Michelle Grangaud, Jacques Jouet, Etienne Lécroart, Daniel Levin Becker, Harry Mathews, Ian Monk, Hervé Le Tellier, Jacques Roubaud. Introduction by Alastair Brotchie. Translation by John Sturrock, Harry Mathews, Ian Monk. ATLAS PRESS By Anthony Hope. Illustrated by Mireille Fauchon. FOUR CORNERS BOOKS By Gustave Flaubert. Illustrated by Marc-Camille Chaimowicz. Translation by Eleanor Marx-Aveling. FOUR CORNERS BOOKS | GIFTS FOR GRADS 2013: 50 Perfect Choices for Recent Graduates!  | |
|   |   | Paris PeasantBy Louis Aragon. Translated and with an introduction by Simon Watson Taylor.Paris Peasant (1926) is one of the central works of Surrealism, yet Exact Change's edition is the first U.S. publication of Simon Watson Taylor's authoritative translation, completed after consultations with the author. Unconventional in form--Aragon consciously avoided recognizable narration or character development--Paris Peasant is, in the author's words, “a mythology of the modern.” The book uses the city of Paris as a stage or framework, and Aragon interweaves his text with images of related ephemera: café menus, maps, inscriptions on monuments and newspaper clippings. A detailed description of a Parisian arcade (nineteenth-century precursor to the mini-mall) and another of the Buttes-Chaumont park, are among the great set pieces within Aragon's swirling prose of philosophy, dream and satire. André Breton wrote of this work: “no one could have been a more astute detector of the unwonted in all its forms; no one else could have been carried away by such intoxicating reveries about a sort of secret life of the city. . . .” | |
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