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| MARLENE DUMAS: SELECTED WORKS
Essay by Marlene van Niekerk.ZWIRNER & WIRTH
U.S. $35.00 | CAN $42
ISBN: 9780970888488 | TRADE
PUB DATE: 8/15/2006 | Awaiting stock | MARLENE DUMAS TITLE LIST MARLENE DUMAS: MEASURING YOUR OWN GRAVE
Edited by Lisa Gabrielle Mark. Text by Cornelia H. Butler, Richard Shiff, Matthew Monahan, Lisa Gabrielle Mark.
D.A.P./Museum of Contemporary Art, Los Angeles
U.S. $55.00 | CAN $66
ISBN: 9781933751085 | TRADE
PUB DATE: 6/1/2008 | Awaiting stockMARLENE DUMAS: WET DREAMS
Edited by Thomas Knubben and Tilman Osterwold. Essays by Jean-Christophe Ammann, Thomas Knubben and Marlene Dumas.
Hatje Cantz Publishers
U.S. $29.95 | CAN $36
ISBN: 9783775713436 | TRADE
PUB DATE: 1/2/2004 | Not availableMARLENE DUMAS: ONE HUNDRED MODELS AND ENDLESS REJECTS
Essay by Jessica Morgan. Foreword by Jill Medvedow.
Hatje Cantz Publishers
U.S. $29.95 | CAN $36
ISBN: 9783775710138 | TRADE
PUB DATE: 5/2/2001 | Not availableMARLENE DUMAS: AGAINST THE WALL
Text by Marlene Dumas.
Radius Books
U.S. $50.00 | CAN $60
ISBN: 9781934435281 | TRADE
PUB DATE: 5/31/2010 | Awaiting stock | |
| | | Marlene Dumas: Selected WorksEssay by Marlene van Niekerk.
Published by Zwirner & WirthA blue-black topless woman stakes her claim on the Upper East Side. A stripper displays her behind next to six brides posing in a row. A dead man with a bound jaw asks the viewer to confront three blindfolded prisoners and three mysteriously somber children. The paintings and drawings collected here demonstrate Marlene Dumas's enduring fascination with image-making as a force for objectification, and simultaneously express her desire to pry the act of figurative painting loose from that history. Her lushly painted work recalls the immediacy of Expressionism in its gestures, the critical distance of Conceptual art in its idea-driven intensity, and the pleasures of eroticism in both its subjects and its lavishly applied paint. The complexity of Dumas's conceptual preoccupations is belied by her formal mastery--both command the viewer's attention, and the chemistry between them makes her one of our most important living figurative painters. | D.A.P. CATALOG: FALL 2006 p. 117 | SEARCH BY ARTIST, TITLE OR KEYWORD |
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| MARLENE DUMAS: SELECTED WORKS
$35.00 | Temporarily out of stock. Check your local bookstore or museum shop for copies.
| U.S. LIST PRICE: U.S. $35.00
CANADIAN PRICE: CAN $42
ISBN: 9780970888488
FORMAT: Hardcover, 7 x 10 in. / 94 pgs / 35 color.
PUBLISHER: Zwirner & Wirth
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PUBLICATION DATE: 8/15/2006 | Active
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The D.A.P. Catalog @ ARTBOOK | D.A.P. / Distributed Art Publishers, Inc. | New York, New York
1-800-338-BOOKCopyright Distributed Art Publishers, Inc. and Artbook LLC and the respective holders of copyright in individual images and texts, 2010.
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| Marlene Dumas: Selected Works | Zwirner & Wirth | Pub Date: 8/15/2006 |  |
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $42
ISBN: 9780970888488
PUBLISHER: Zwirner & Wirth
PUB DATE: 8/15/2006
FORMAT: Hardcover, 7 x 10 in. / 94 pgs / 35 color.
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: ActiveAVAILABILITY: Awaiting stock
| D.A.P. CATALOG:
FALL 2006 Page 117 |
| Marlene Dumas: Selected Works Essay by Marlene van Niekerk.
A blue-black topless woman stakes her claim on the Upper East Side. A stripper displays her behind next to six brides posing in a row. A dead man with a bound jaw asks the viewer to confront three blindfolded prisoners and three mysteriously somber children. The paintings and drawings collected here demonstrate Marlene Dumas's enduring fascination with image-making as a force for objectification, and simultaneously express her desire to pry the act of figurative painting loose from that history. Her lushly painted work recalls the immediacy of Expressionism in its gestures, the critical distance of Conceptual art in its idea-driven intensity, and the pleasures of eroticism in both its subjects and its lavishly applied paint. The complexity of Dumas's conceptual preoccupations is belied by her formal mastery--both command the viewer's attention, and the chemistry between them makes her one of our most important living figurative painters.
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