ART CRITICISM, THEORY AND HISTORY

PUBLISHER
MIT List Visual Arts Center

BOOK FORMAT
Paperback, 8.25 x 13 in. / 88 pgs / 4 color and 60 duotones.

PUBLISHING STATUS
Pub Date
Out of print

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2006 p. 48   

PRODUCT DETAILS
ISBN 9780938437697 TRADE
List Price: $25.00 CDN $30.00

AVAILABILITY
Not available

BROWSE THE 2018 FALL CATALOG

From 'Led Zeppelin by Led Zeppelin' to 'The Swimming Pool in Photography' to 'Protest: The Aesthetics of Resistance,' with new monographs on Yayoi Kusama, Hilma af Klint, James Turrell and Jack Whitten, and announcing D.A.P. distribution for Glenstone Museum and SPBH Editions.

  

MIT LIST VISUAL ARTS CENTER

9 Evenings Reconsidered

Art, Theater, and Engineering, 1966

Edited by Catherine Morris. Essays by Clarisse Bardiot and Michelle Kuo. Texts by Lucy Lippard and Brian O'Doherty. Introduction by Jane Farver.

In 1966, a Bell Laboratories physicist brought a group of avant-garde artists together with 10 open-minded members of the science and technology fields for 9 Evenings: Theatre and Engineering, a series of investigatory Happenings which took place at the 69th Regiment Armory and were duly noted by critics Lucy Lippard and Brian O'Doherty. The resulting seminal performances included John Cage's Variations VII, in which 30 photocells were mounted around the performance space, activating a variety of sound sources--including a blender, 20 radio channels and two Geiger counters--as the performers moved around. Other contributors included Lucinda Childs, Alex Hay, Deborah Hay, Oyvind Fahlstrom, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor and Robert Whitman. The events were photographed by Peter Moore, whose pictures, many never before been published, are featured here. Also included are Lippard and O'Doherty's original reviews; new scholarship by Clarisse Bardiot, Michelle Kuo and Catherine Morris; and an interview with one of the engineers.
9 Evenings Reconsidered

STATUS: Out of print | 00/00/00

For assistance locating a copy, please see our list of recommended out of print specialists

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By César Aira. Foreword by Will Chancellor. Afterword by Alexandra Kleeman. Translated by Katherine Silver.

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By Ashraf Jamal.

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