PHOTOGRAPHY SURVEYS | COLLECTIONS | MOVEMENTS | EXHIBITIONS

PUBLISHER
Guggenheim Museum Publications

BOOK FORMAT
Hardcover, 10 x 12 in. / 300 pgs / 250 color.

PUBLISHING STATUS
Pub Date
Out of print

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2004

PRODUCT DETAILS
ISBN 9780892073016 TRADE
List Price: $65.00 CDN $75.00

AVAILABILITY
Not available

BROWSE THE 2018 FALL CATALOG

From 'Led Zeppelin by Led Zeppelin' to 'The Swimming Pool in Photography' to 'Protest: The Aesthetics of Resistance,' with new monographs on Yayoi Kusama, Hilma af Klint, James Turrell and Jack Whitten, and announcing D.A.P. distribution for Glenstone Museum and SPBH Editions.

  

GUGGENHEIM MUSEUM PUBLICATIONS

Speaking With Hands

Photographs from the Buhl Collection

Essays by Jennifer Blessing, Kirsten Hoving and Ralph Rugoff. Foreword by Henry Buhl and Thomas Krens.

In October 1993, Henry M. Buhl purchased a photograph by Alfred Stieglitz of Georgia O'Keeffe's hands. This photograph would come to be the cornerstone of a private collection that now includes over one thousand images by the medium's foremost practitioners as well as little-known and emerging artists. Focusing on the theme of the hand, Buhl has gathered images spanning the history of photography, from a photogenic drawing negative made in 1840 by William Henry Fox Talbot to serial Polaroids made in 2002 by Cornelia Parker. The collection also encompasses a comprehensive range of photographic practices, including scientific, journalistic, and fine-art photography, with a strong component of contemporary art. Published on the occasion of a major exhibition drawn from The Buhl Collection, this book demonstrates the prevalence of the hand as a photographic theme, a result, in part, of photography's easy ability to capture fragments and detail, as well as ephemeral movement. The selected works depict the hand literally, in the context of portraiture, for example, as well as figuratively, in terms of the poetic emphasis given to hand gestures in documentary images. In artistic images created from the 1920s to the present, the hand is abstracted and subsequently treated as a conceptual device.

Jennifer Blessing explores the nature of collecting photographs and why hands are in many ways a uniquely photographic theme. Kirsten A. Hoving emphasizes the prevalence of hands in Surrealist photographs and prose. Ralph Rugoff discusses the uncanny aspects of hands in contemporary art that uses photography. The catalogue entries, written by Matthew S. Witkovsky with Melanie Marižo and Nat Trotman, cover 150 artists and 168 works, forming a useful resource for the study of the history of photography.
Speaking With Hands

STATUS: Out of print | 4/1/2008

For assistance locating a copy, please see our list of recommended out of print specialists

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