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| | BOOK FORMAT Hardcover, 9.5 x 11 in. / 232 pgs / 131 color / 16 bw. PUBLISHING STATUS Pub Date 7/2/2002 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2002 PRODUCT DETAILS ISBN 9780870701108 TRADE List Price: $50.00 CDN $60.00 AVAILABILITY Not available | TERRITORY NA ONLY | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Objects Of DesireThe Modern Still LifeEssay by Margit Rowell. Foreword by Glenn D. Lowry.
An incisive exploration of the still life genre as artists have rediscovered and reshaped it in the 20th century, Objects of Desire proves that despite the century's hostility toward older aesthetic conventions, avant-garde artists of many schools have made of the still life a vital opportunity for invention. From Matisse, Picasso, and Braque to the Dadaists, Surrealists, and Pop artists and finally to contemporary creators like Cindy Sherman and Charles Ray, the still life has hardly led a stolid, stable, or staunch existence. Originally a subject reserved for painting, the genre has progressively invaded the arena of sculpture, its themes reinvented in the provocative assemblages called "readymades," its forms recast continuously into the present. Published to accompany a major 1997 exhibition at The Museum of Modern Art, New York, Objects of Desire traces a radical rethinking of the genre in terms of subject matter and formal invention.
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FORMAT: Hardcover, 9.5 x 11 in. / 232 pgs / 131 color / 16 b&w. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $60 ISBN: 9780870701108 PUBLISHER: The Museum of Modern Art, New York AVAILABLE: 7/2/2002 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2002 | PRESS INQUIRIES
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| Objects Of Desire The Modern Still Life Published by The Museum of Modern Art, New York. Essay by Margit Rowell. Foreword by Glenn D. Lowry. An incisive exploration of the still life genre as artists have rediscovered and reshaped it in the 20th century, Objects of Desire proves that despite the century's hostility toward older aesthetic conventions, avant-garde artists of many schools have made of the still life a vital opportunity for invention. From Matisse, Picasso, and Braque to the Dadaists, Surrealists, and Pop artists and finally to contemporary creators like Cindy Sherman and Charles Ray, the still life has hardly led a stolid, stable, or staunch existence. Originally a subject reserved for painting, the genre has progressively invaded the arena of sculpture, its themes reinvented in the provocative assemblages called "readymades," its forms recast continuously into the present. Published to accompany a major 1997 exhibition at The Museum of Modern Art, New York, Objects of Desire traces a radical rethinking of the genre in terms of subject matter and formal invention.
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