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| TOKIHIRO SATO: PHOTO-RESPIRATION Essay by Elizabeth Siegel. U.S. $9.95 | CAN $12 ISBN: 9780865592179 | TRADE PUB DATE: 2/15/2005 | Awaiting stock
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|   |   | Tokihiro Sato: Photo-RespirationPhotographsEssay by Elizabeth Siegel. Published by The Art Institute of ChicagoPhotographer Tokihiro Sato (born 1957), along with contemporaries Toshio Shibata and Naoya Hatakeyama, focuses on the shifting landscape of modern Japan. Using a 8 x 10 inch camera fitted with a darkening filter, Sato creates lengthy exposures in which he moves throughout landscapes, pausing periodically with a mirror that reflects sunlight back at the camera. The light is recorded, as are traces of his presence, but he himself is rendered invisible by his motion. | D.A.P. CATALOG: SPRING 2005 p. 80 | SEARCH BY ARTIST, TITLE OR KEYWORD |
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| TOKIHIRO SATO: PHOTO-RESPIRATION $9.95 | Temporarily out of stock. Check your local bookstore or museum shop for copies.
| U.S. LIST PRICE: U.S. $9.95 CANADIAN PRICE: CAN $12 ISBN: 9780865592179 FORMAT: Paperback, 9.5 x 8.5 in. / 40 pgs / 15 duotone. PUBLISHER: The Art Institute of Chicago DISTRIBUTION: | RETAILER DISC: TRADE PUBLICATION DATE: 2/15/2005 | Active AVAILABILITY: Awaiting stock |
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The D.A.P. Catalog @ ARTBOOK              |         D.A.P. / Distributed Art Publishers, Inc.    |    New York, New York    1-800-338-BOOKCopyright Distributed Art Publishers, Inc. and Artbook LLC and the respective holders of copyright in individual images and texts, 2010.
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 | Tokihiro Sato: Photo-Respiration | The Art Institute of Chicago | Pub Date: 2/15/2005 |  |
LIST PRICE: U.S. $9.95 LIST PRICE: CANADA $12 ISBN: 9780865592179 PUBLISHER: The Art Institute of Chicago PUB DATE: 2/15/2005
FORMAT: Paperback, 9.5 x 8.5 in. / 40 pgs / 15 duotone.
DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: ActiveAVAILABILITY: Awaiting stock
| D.A.P. CATALOG: SPRING 2005 Page 80 |
| Tokihiro Sato: Photo-Respiration Photographs Essay by Elizabeth Siegel.
Photographer Tokihiro Sato (born 1957), along with contemporaries Toshio Shibata and Naoya Hatakeyama, focuses on the shifting landscape of modern Japan. Using a 8 x 10 inch camera fitted with a darkening filter, Sato creates lengthy exposures in which he moves throughout landscapes, pausing periodically with a mirror that reflects sunlight back at the camera. The light is recorded, as are traces of his presence, but he himself is rendered invisible by his motion.
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